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The ‘academic-speak’ aspect of it doesn’t really work, but if you work from a methodology point of view it works perfectly.

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So if you said that to them, that would make perfect sense in terms of a process-based artist’s work that was rooted in customary practice: it’s rooted in research that is familial, it’s communal, it has to do with their relationship with the state, I mean it’s very fraught.

I think that’s one of the things that really marks the aesthetic of Indigenous artists writ large is that that’s part of it.

Like an artist coming into academia is not necessarily fully recognized as a scholar, and their work is not necessarily representing scholarly research or things like that. SF: Yeah we talk about that, ‘research-creation,’ because that’s something that’s preserved within the institution, preserved—did I say preserved, I mean reserved—for people inside the institution like academia.