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Over the course of a few weeks they begin to live in the chateau as a makeshift family.

Yvon befriends Odile's son (Grégoire Leprince-Ringuet) and - much to the chagrin of Odile - becomes a father figure to the boy.

They spend the night in the forest and the next day meet a teenager named Yvon (Gaspard Ulliel), who takes them to safety.

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Also, there are few other cities besides Paris that come with such a powerful and multifarious wealth of preassociated images and emotions for both filmmaker and audience to both draw upon and react against.

So what could have been a collection of short films with a few highs, several lows, and a lot of muddled in-betweens is in fact a remarkably and consistently imaginative body of work, practically giddy with energy, that only rarely touches the ground.

Continue reading: It's Only The End Of The World Review Veteran filmmaker Tavernier approaches this 16th century drama with a fresh touch.

It has everything you hope for: swashbuckling, romantic intrigue, heaving bosoms.

At just 27 years old, Canadian filmmaker Xavier Dolan has an almost overwhelming set of accolades alongside his name.